

The laundry of Fadons the heart of the town, also deserves a visit.Īt the edge of the Argens, there are several marked hiking trails. On the territory of Thoronet, visitors can discover many wineries like that of the Abbey of St. Heritage enthusiasts will also appreciate the castle of the eleventh century Envessènes and the castle and the church of the twelfth century Sèguemagne.īuilt using ancient techniques, including red brick made with raw earth and lime, the Notre-Dame-de-la-light-of-beyond-all part of the Notre Dame monastery -du-Torrent-de-Vie. On the door, you can admire the sculptures of Marius Mullercke representing a minor and a winemaker.Ĭhapel in the twelfth century, the church of the Our Lady Nativity was enlarged in the late nineteenth century. Mary Thoronet church was built in the early eighteenth century, have two square towers pierced with loopholes. Located in one of the oldest parts of the Thoronet, St. The site hosts every summer a medieval music festival popular in the region. The whole stands proudly since major restoration, in the heart of forests of Provence. One can admire the church again, the monks' dormitory, or the carved stone cloisters. Built in the late twelfth century, it is one of the finest ensembles of Romanesque architecture of Provence. Listed building, the Cistercian Abbey of Thoronet is the main tourist attraction of the town. A lengthy running time and derivative nature of the plot also work against this film, meaning that I didn't think much of it at all.With its Provencal architecture, the town Thoronet no shortage of charm and knows attract visitors from all over France with its historical heritage.

Yamamoto fails to make her repulsive lead in the least bit likable and suffers because of that, while the excellent Eric Tsang is underused as the mob boss, appearing in all of three short scenes. Kaneshiro is a good actor, but his character isn't given a great deal to do here and comes across as a little staid. I found the last scene to be overlong and devoid of the badly needed emotion it sought to generate, but at least something's going on, unlike in the middle section. His domain is in Kabukicho, a gangland controlled by various Shanghai gangs intent on taking control. You can sell him anything except children’s organs. Then things pick up in the last half hour, with lots of action and shoot-outs and more twists and turns than in five regular Hollywood movies. Kenichi is a half-Japanese, half-Chinese man of the underworld. The pacing slows down to a snail's crawl while this romance is explored, and the filmmakers do attempt to generate some suspense by keeping their character motivations murky, but it doesn't work very well. For the next hour we're treated to a lifeless romance with one of the most worthless female characters I've seen in a film. Unfortunately, Kaneshiro's character then meets a girl, and the whole film falls flat. The first half hour follows this type of plot with some stylish direction and another solid performance from Takeshi Kaneshiro, who once again delivers a 'quiet but cool' type character with emotions bubbling just under the surface. This Hong Kong/Japan co-production starts out as a traditional gangster thriller, as we meet our youthful hero and find himself caught between opposing sides: a violent criminal gang from Shanghai, who frequently employ torture and murder as their methods, and a lone gunman with psychotic tendencies. Reviewed by Leofwine_draca 4 / 10 Promising crime drama let down by a boring romance Meanwhile, Fu-Chun's girlfriend, Natsumi Sato turns up to sell something to Kenichi. Yuan wants to get even and attempts to do so by using Kenichi. Things are calm, however, his former partner-in-crime, Fu-Chun, is rumored to have returned to Kabukicho, having fled years earlier after killing the number two to gangland boss, Yuan.

His domain is in Kabukicho, a gangland controlled by various Shanghainese gangs intent on taking overall control. You can sell him anything except children's organs.

Kenichi is a half-Japanese, half-Chinese man of the underworld.
